树上男孩 (1961)

　　Swedish filmmaker Arne Sucksdorff was for nearly fifty years a standard bearer in the realm of the documentary. After studying natural history in Stockholm and Germany, Sucksdorff took a long trip to Italy. He returned with a full portfolio of scenic shots and nature studies, which won him a prize when they were reprinted in a Swedish film magazine. From still photography, Sucksdorff graduated to films, turning out a series of consummately photographed Swedish short subjects (one hesitates to characterize these with the demeaning label &quot;travelogue&quot;): An August Rhapsody (1939), A Summer Tale (1941), Reindeer Time (1942) and many others. Travelling to other lands for photogenic material, Sucksdorff won a Cannes Film Award for the 1951 short Indian Village; he has also filmed extensively in Brazil. Another Cannes award was bestowed upon Arne Sucksdorff for his 1957 home-grown feature The Flute and the Arrow. Never selling his name to a sponsor or cause, Arne Sucksdorff wrote, directed and photographed movies essentially for his own personal pleasure; it just so happened that they also provided limitless enjoyment to millions of others. 　　After filming documentaries for some twenty years Sucksdorff made this his first feature film. 　　G&#246;te (Tomas Bolme) is a young teen who seems to be at odds with his family and may not know his own mind that well either. Discontented and rebellious, G&#246;te joins up with two mean-spirited game poachers in spite of the fact that he loves animals and nature. This contradiction between his own feelings and his need to rebel reaches a climax when a forest ranger starts to track down the young men in ever-tightening circles.<br /> 　　译文(3): 瑞典电影制作人Arne Sucksdorff近五十年来一直是纪录片领域的旗手。在斯德哥尔摩和德国学习自然史后，萨克斯多夫对意大利进行了一次长途旅行。他带着完整的风景拍摄和自然研究作品回来了，这些作品在瑞典一本电影杂志上重印时为他赢得了一个奖项。从静态摄影到电影，萨克斯多夫创作了一系列完美拍摄的瑞典短片（人们不愿意用贬低的标签“游记”来描述这些短片）：《八月狂想曲》（1939）、《夏日故事》（1941）、《驯鹿时间》（1942）和许多其他作品。前往其他国家寻找上镜材料，萨克斯多夫凭借1951年的短片《印度村》获得戛纳电影奖；他还在巴西拍摄了大量的电影。另一个戛纳电影节奖项授予了阿恩·萨克斯多夫，因为他1957年的国产电影《长笛与箭》。Arne Sucksdorff从未将自己的名字卖给赞助商或事业，他创作、导演和拍摄电影主要是为了自己的个人娱乐；碰巧，他们也为数百万其他人提供了无限的享受。