滔滔不绝的祈祷者 (1971)

　　A young prostitute tries to understand why she suffers from melancholy and benumbed feelings. Against a background of sexual liberation and political subversion, this latest libertine work by radical film director M. Adachi is one of the very few existing feminist erotic films. Masao Adachi's personality and films deserve careful consideration. Relatively unknown as yet to Western audiences, he happens to be one of the most radical film-makers around in recent years. Gushing Prayer, shows the influence of Koji Wakamatsu, another enfant terrible of Japanese cinema whom Adachi assisted on many films. Gushing Prayer does not hesitate to show the resentments and dissatisfactions of someone who ought to be nothing more than an object of fantasies. Highly pertinent, with a bold avant-garde style, he sets the record straight as far as the sexual desires of supposedly liberated Japanese women are concerned. One of the rare feminist films of the 70's, it audaciously evokes sexual liberation and political subversion. 　　译文(2): 一个年轻的妓女试图理解为什么她遭受着忧郁和麻木的感觉。在性解放和政治颠覆的背景下，这部由激进电影导演 M。 Adachi 执导的最新放荡作品是少数现存的女权主义色情电影之一。安达正男的个性和电影值得仔细考虑。对于西方观众来说，他相对默默无闻，但他恰好是近年来最激进的电影制作人之一。《涌泉祷告》展示了若松光治的影响，他是日本电影界另一个可怕的孩子，安达助演了许多电影。喷涌祷告毫不犹豫地表现出一个人的怨恨和不满，而这个人本应该只是一个幻想的对象。高度中肯，大胆前卫的风格，他澄清了记录直至所谓的解放日本妇女的性欲望的关注。作为70年代罕见的女权主义电影之一，它大胆地唤起了性解放和政治颠覆。